Download PDF by Heather Davis, Etienne Turpin (eds.): Art in the Anthropocene: Encounters among Aesthetics,

By Heather Davis, Etienne Turpin (eds.)

ISBN-10: 1785420178

ISBN-13: 9781785420177

Taking as its premise that the proposed geologic epoch of the Anthropocene is unavoidably a cultured occasion, this e-book explores the connection among modern paintings and information creation in an period of ecological difficulty, with contributions from artists, curators, theorists and activists. participants contain Amy Balkin, Ursula Biemann, Amanda Boetzkes, Lindsay Bremner, Joshua Clover & Juliana Spahr, Heather Davis, Sara Dean, Elizabeth Ellsworth & Jamie Kruse (smudge studio), Irmgard Emmelhainz, Anselm Franke, Peter Galison, Fabien Giraud & Ida Soulard, Laurent Gutierrez & Valérie Portefaix (MAP Office), Terike Haapoja & Laura Gustafsson, Laura corridor, Ilana Halperin, Donna Haraway & Martha Kenney, Ho Tzu Nyen, Bruno Latour, Jeffrey Malecki, Mary Mattingly, Mixrice (Cho Jieun & Yang Chulmo), Natasha Myers, Jean-Luc Nancy & John Paul Ricco, Vincent Normand, Richard Pell & Emily Kutil, Tomás Saraceno, Sasha Engelmann & Bronislaw Szerszynski, Ada Smailbegovic, Karolina Sobecka, Zoe Todd, Richard Streitmatter-Tran & Vi Le, Anna-Sophie Springer, Sylvère Lotringer, Peter Sloterdijk, Etienne Turpin, Pinar Yoldas, and Una Chaudhuri, Fritz Ertl, Oliver Kellhammer & Marina Zurkow.

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Extra resources for Art in the Anthropocene: Encounters among Aesthetics, Politics, Environments and Epistemologies

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The Gardens also feature two of the world’s largest climate-controlled conservatories, massive infrastructures whose soaring curves and smooth organic forms resemble apparitions from some science-fiction fantasy. These engineered climates make possible the imperialist impulse to collect up and host diverse worldly natures here in Singapore’s searing heat. Singapore’s extreme neoliberal vision for unfettered economic growth is barely tamed by discourses of sustainability. Dreams of “green” development are propelling many cities’ massive infrastructure projects.

So it’s a very complicated new role that I think we have to politicize in terms of political philosophy, but this is very difficult to do. What is the request of Gaia? That’s where the fact that Gaia is the name of a goddess is especially interesting. So a whole elaboration of what Gaia is becomes necessary. 50 But in AIME, the solution is simpler. Whatever you describe as ecology, the responsibility largely weighs on those who have invented what we call modernization. This is hard to contest when modernization is now everywhere, including India, China, and Brazil.

46 Of course, there is a third level—complete metaphysics—which is inaccessible to humanities people and to scientists—the question of whether the world itself is narrated. I don’t mean narrated by a human, but has itself an articulation that makes it accessible to words. And that would be more of a basic metaphysics. But that’s not something you can put into the public because it’s an esoteric argument. My argument would be that the world is articulated, so that narration is just one of the many ways to frame it.

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Art in the Anthropocene: Encounters among Aesthetics, Politics, Environments and Epistemologies by Heather Davis, Etienne Turpin (eds.)

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