Download e-book for iPad: A título de inventario by Mario Benedetti

By Mario Benedetti

ISBN-10: 8490629692

ISBN-13: 9788490629697

Edición en un solo volumen que reúne todos los poemas de Mario Benedetti publicados entre 1950 y 2001, testimonios de l. a. propia existencia del autor, engendrados con los angeles sencillez y claridad que tanto le caracterizan.

Amar, luchar, trabajar, morir, todo es motivo de poesía para Mario Benedetti. Cada pequeña situación del vivir cotidiano merece una canción, una celebración a los angeles constante sorpresa de existir. Para él, los angeles poesía no tiene sentido si no se comparte, si no se reproduce, si no fecunda.

Como es ordinary en las recopilaciones de l. a. poesía de Benedetti, cada volumen se abre con l. a. producción más reciente y concluye con l. a. más antigua, quizá con l. a. secreta esperanza de que el lector, al tener acceso a su obra por los angeles puerta más nueva y más cercana, se vea luego tentado a ir abriendo otras puertas, «a beneficio de inventario».

Inventario 1 integra todos los poemas publicados en libro entre 1950 y 1985:Sólo mientras tanto (1950), Poemas de los angeles oficina (1956), Poemas del hoyporhoy (1961), Noción de patria (1963), Próximo prójimo (1965), Contra los puentes levadizos (1966), A ras de sueño (1967), Quemar las naves (1969), Letras de emergencia (1973), Poemas de otros (1974), La casa y el ladrillo (1977), Cotidianas (1979), Viento del exilio (1981) y Geografías (1984).

Inventario 2 reúne todos los poemas publicados en libro entre 1986 y 1991: Preguntas al azar (1986), Yesterday y mañana (1988), Despistes y franquezas (1990) y Las soledades de Babel (1991).

Inventario 3 contiene todos los poemas publicados en libro entre 1995 y 2001: El olvido está lleno de memoria (1995), La vida ese paréntesis (1998), Rincón de Haikus (1999) y El mundo que respiro (2001).

Miguel García-Posada dijosobre Benedetti...
«Tenía Benedetti el instinto de los angeles palabra creadora, los angeles capacidad de pellizcar el alma que solo poseen los poetas mayores.»

«Benedetti period, aunque algunos se escandalicen, un machadiano del verso, que sabía que l. a. poesía se produce en el tiempo o está abocada a los angeles nada.»

«Benedetti, hay que afirmarlo de entrada, y sus versos tenían, tienen, l. a. garra de los genuinos poetas populares.»

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Its waters were extraordi­ narily hot, so doubtless it was good for women. In addition, superstition had it that a certain nearby pine tree and rock used to bestow' children on the bathers. As he was being shaved by the barber, who had a face like a pickled cucumber seasoned in sake lees, he asked about the pine tree. ) “When I was a boy, we often went to look at the women. We’d get up before dawn to see them wrap themselves around the pine tree. ” “Well, now, the tree was cut down ten years ago.

As he approached a hill, he always scrambled down from the driv­ er’s seat for the horse’s sake. He w as secretly proud of the nimble way he could jump off and back onto the carriage. Even when he was sitting in the driver’s seat, he could tell when children were hanging onto the back of the carriage by the way it rocked. He would leap dow n quickly and rap the children on their heads with his knuckles. So this carriage attracted the most attention among the children along the road, but it was also most frightening.

He closed her mouth again. Again it opened. He did the same thing over and over, but the only result was that the hard lines around his wife’s mouth began to soften. The Incident o f the Dead Face Then he felt a growing passion in his fingertips. He rubbed her forehead to try to relieve its look of grim anxiety. His palms grew hot. Once more he sat still, looking down at the new face. His wife’s mother and younger sister came in. “You’re probably tired from the train ride. Please have some lunch and take a rest.

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A título de inventario by Mario Benedetti


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